DISEASE is a 40-minute live-media performance based on the real-time interaction between a dancer’s movements, generative graphics, sound, and lighting. the work serves as a metaphorical exploration of the phases of a disease, a disorder of human structure or function, and its relationship with nature. The visual concept is realized through a node-based visual programming language, exploiting the expressive potential of emerging digital techniques. graphics are dynamically modified in response to sound frequencies and the real-time analysis of the dancer’s movements. a specialized setup was developed, featuring a frontal projection on a semi-transparent surface, allowing clear visibility of the digital content without obscuring the dancer. an optical sensor tracks every movement of the performer in real time, enabling a profound level of interaction. Both the choreography and music for the performance are entirely original. MAKING OF - SET UP: The performance experiments with a deep connection between performer and digital landscapes. the setup include both a frontal projection on a semi transparent surface and a rear projection, ensuring the digital content is fully visible without hiding the dancer. The scenes are designed to maximize the immersive potential of this technological system. CHOREOGRAPHY: In DISEASE, Francesco Misceo explores the fluid boundaries between human and non-human bodies, viewing the human form as an integral part of nature. his choreography extends to any moving entity, translating the movements of cells, molecular structures, and organic forms into a visible interplay of motion, light, and sound. MOTION TRACKING: The interaction between choreography and visuals is a central element of the project. from the outset, the goal was to convey a sense of union and synchronicity between the digital and bodily components. a kinect unit is used on stage to track every movement of the dancer in real time, enabling a high level of interactive responsiveness. SOUND DESIGN: The music of DISEASE serves as the performance’s narrative voice, conveying emotions and states of mind beyond words. Using a non-linear, generative approach, compositions produce unique sonic events and unpredictable sequences. semimodular synths, custom sound design, effect chains, and real-time audio synthesis create fully interactive soundscapes.

"Beyond The Echo" is a multimedia video installation that bridges the gap between the physical body and the natural world, creating an immersive experience where movement, technology, and nature converge to evoke a profound sense of connection and reflection. Through the fusion of dance, generative art, and real-time visual effects, the piece explores the delicate relationship between humans and the environment at a time when our planet’s biodiversity faces unprecedented threats. At the heart of this installation is Francesco Misceo’s own dance, performed in diverse natural landscapes that act as both stage and subject. Using motion sensors to track his every movement, these gestures are transformed into data that generate interactive visual effects in real time through Touchdesigner, a powerful visual platform. The resulting visuals are dynamic and responsive, mirroring the fluidity and depth of the natural world, where every movement echoes within the space, shaping and reshaping the environment as it unfolds. The installation speaks to the human impulse to reconnect with nature—not just as an external force but as an integral part of ourselves. The title, "Beyond The Echo", refers to the reverberations of our actions and the echo of nature’s call, which we often fail to hear in our modern, technology-driven lives. This work challenges viewers to look beyond the surface and consider the subtle, often overlooked interactions that occur between humans and the natural world. It is a call to deepen our respect and appreciation for nature, not only as a source of beauty but as a vital force that sustains our existence. "Beyond The Echo" is a reflection on the interconnectedness of all things, inviting the audience to experience the delicate balance of this relationship in a contemporary and transformative way. Through the use of new digital techniques such as generative art and creative coding, the installation underscores the importance of preserving biodiversity while fostering a deeper connection between the human spirit and the earth. It is a meditation on the profound impact of nature on personal well-being and the urgent need to listen—beyond the echo of our daily lives, before it fades away. In this immersive space, viewers are invited to witness the harmony between the dancer’s body and the natural world, seeing firsthand how each movement interacts with and alters the visual landscape. The data-driven visuals do not just reflect the dance; they embody it, transforming each gesture into a living representation of the connection between body and earth, challenging us to rethink our place within the ecosystem and the future of our planet.

Thrilled to share one of the most exciting projects I’ve worked on - Nine Inch Nails "AS ALIVE AS YOU NEED ME TO BE" music video. Deeply grateful to have been part of the incredible production team behind this remarkable piece. Directed by @maximequoilin Creative direction by @mtla.studio Produced by @ryan.hahn Production company @hp.la Director of photography @xiaolongdp PD @rtylerevans Stylist @laytonbaptista Management @sarasmile85 Post production house @1080p.world Creative directors @makyph @jordan_lg Editing @alwissound @maximequoilin Touchdesigner artists @miscsoul @nicholaspjm Post producer @antig0 Assistant editors @anto.wan @thibs_whm Color grading @julienalary_color Compositing @jim.derks @okkoboomin @mykolashurin 3D @antonvdv_